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How and Why -
Putting Video on the Web
free places to post your video
There are many different ways
to share your edited video movies with your friends, family
and associates. You can make copies on videotape, you can
burn DVDs and CDs and send those. You can create highly
compressed short clips and send them via email, or you can
post your videos to the Internet and just send out a url
location so that they can visit and watch and/or download
your video.
By posting a video on the
net, your friends and family can access it from anywhere
they can get an Internet connection. They can watch it over
and over again, and don’t have to worry about damaging a
tape or DVD.
So how do you put your video
on the net? How do you create a video that will look good
when accessed by a variety of different computers and
monitors and viewing programs?
The secret is to keep it
short, shoot and edit it for the web, and then use an
effective compression scheme to make the file small yet
still of high enough quality.
According to Quito
Washington, writer/producer – Digital Cinema Pictures,
“Watch a considerable amount of Internet video and learn
from them. Look at how long you pay attention when the
quality is poor, when the sound is bad, when they start and
stop due to buffering problems. Note the use of good light
in the film and how it affects your being able to see
details.”
PUT YOUR
VIDEO ON YOUTUBE
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want to be able to download and then watch back YouTube
Videos? Check out this list of cool programs and how to do
it guide.
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Video Tools
How to be successful making Internet
Video - from Metacafe - These tips apply to anyone who
wants to make a video for the net that gets seen, gets shared and
makes money -
more
Shoot for the web
What kinds of shots look best
on the web? Look at your video screen – it is probably not
as big as your TV set – it is a lot smaller than a movie
screen in your local cinemaplex. This means that big wide
screen vistas that need a lot of space to truly appreciate
details won’t work well. Adding to that challenge is the
fact that most online video viewing experiences don’t even
take up the entire computer screen – just a small portion of
it. This means you should concentrate your shots on mostly
faces and close-ups. Yes, you can occasionally use a wide
shot to set a scene but then go to medium shots and
close-ups.
Also because of the small
size, scenes with fast moving objects won’t work well. A
wide shot of WW1 biplanes dogfighting will probably look
like flies buzzing around a screen.
Keep control of your text as
well. What might work fine on your 21-inch monitor, full
screen mode, might be a bit too tiny to read when playing in
a two by three inch video window.
According to Peter John Ross
of Sonnyboo Films, “The less the camera moves, the better
the compression, and the smaller the file size for download
or streaming. You may choose to lock down a shot rather than
the nice dolly move or handheld shot you originally had in
mind. If you truly need movement in your shots, use
something steady like a GLIDECAM, steadicam, or dolly to
make very smooth movements that will make your compression
work much better.”
According
to Kevin Carr, writer, producer and director at 7M Pictures,
“You should choose a decent
video camera to do the job. HD-Cam and DigiBeta are nice, if
you can afford them, but a prosumer-grade video camera will
do fine as well. It's preferable to shoot on a digital
format - MiniDV if you can, but Digital Hi-8 can work well
too. At 7M
Pictures, our primary shooting
equipment are Canon GL-1s and Canon GL-2s. We actually
prefer these over the higher-level XL-1s, frankly because
they're more idiot-proof.
Don't forget to light your
shots well. Just because they're going on a screen 2 inches
wide doesn't mean they shouldn't be lit. Getting proper
exposure is the key to making a web video look sharp. This
is especially important when you're dealing with different
end users who may have their monitor settings darker than
yours.
According to Quito
Washington, “Light and sound are the two biggest factors in
Internet video. Because of compression, your image quality
will be less than what you are seeing while you are shooting
and editing. Allow for that by having your scene well lit.
Sound design is as important because again, your compression
will affect sound quality. Mic your actors well, and if need
to, have them come back in and re-record their voices. You
want someone unfamiliar with the script and story to watch
the film on their computer and be able to understand what’s
going on.”
Edit for the web
You should try to keep
effects and transitions to a minimum and make the make the
compression software’s job as easy as possible. When
stressed, compression programs end up taking more time to
create the final file. Even worse, the final file will be
much larger than it needs to or the final file will lose
resolution and quality when played back. As much as
possible keep to straight cuts. Every time you include a
transition scene, the compression program has to go through
it and figure out how to transform the two different scenes
into one.
According to Peter John Ross,
“Fancy 3D page curls just don't look good when they are
downgraded to 12 frames per second and in a tiny window even
though they might have looked great on your 35" TV monitor.”
A good example of shooting
and editing for the web is the “Waiting for Windell” trailer
at
http://www.paragonflicks.com/. It’s mostly close-ups
and big text with no complicated effects and few
transitions.
According to Kevin Carr, “The
key is to keep it short. Forget credits and flashy 30-second
opening sequences. Also, forgot long, drawn-out Stanley
Kubrick moments in your web films. The Internet is a global
short attention span theater. Whether people are reading the
news or watching a video, they want it in small, digestible
chunks. Other things to keep in mind while editing for the
Internet is to keep your titles BIG. Remember, the screen is
really small. Your titles should look annoying large in your
on-board editing screen to be readable when compressed.”
Not only is this brilliant, funny and sexy,
but
French Maid TV is educational. How
better to master the techniques of using
your Mac and a firewire camera to create
video pod casts than by being taught by a
trio of hot French Maids. You got to check
this out.
Compression
So once you got your video
edited, the next step is to compress it. Raw video files are
BIG, much too large to stick on a web site and expect
someone to download and watch it.
If you have done a lot of web
surfing you have probably noticed that most web sites post
their videos in a several different formats and in a variety
of different compression ratios. You get a low res version
for those people who are still using dial-up, a 100Kpbs
version for those on ISDN and business broadband, and a 300K
version for those with fast cable or DSL connections.
In addition, some sites are
also posting extremely low-resolution versions for us eon
mobile devices and phones, as well as extremely
high-resolution versions for those who have 1 Mbps and
better Internet connections.
According to Quito
Washington, “If you are considering streaming your film,
size still plays a factor as you have to have enough room on
your web server to host your file. The average streaming
rate for seamless viewing is about 100 kbps, making a 3
minute video 6Mb (100kbps * 60 seconds). Also consider that
people are still not used to sitting and watching a video on
a computer for a long period of time, the most popular (not
necessarily the best) Internet videos are short, under 3
minutes, catering to people’s attention span and that if
they are watching at work, less likely to be seen as goofing
off. Also consider that if you have a long video, it will be
subject to buffering problems which can affect playback,
performance, and enjoyment of your video.
Try to avoid
encoding at 56kbps as the video will appear choppy and the
sound will be poor. Simply post a link that will allow
people to download the larger file as an alternative to
streaming.
So how do you
compress? Most video editing programs have basic compression
options already built in. Almost all with let you compress
your video as one of the top three streaming formats –
Windows, Real or QuickTime. If you have limited bandwidth
and space on your web site, and you can only use one, I’d
recommend using Windows Media file format (wmf) as probably
almost anyone would be able to play it back.
There are some other options
as well especially if you are OK with the idea of people
downloading your move onto their hard drive and being able
to watch whenever they like. You can use an MPEG-4 type of
compression or something like DivX, which is rapidly growing
in use worldwide as one of the most favorite, and most
effective, technologies for squeezing media files down small
while still providing high quality. The Divx player is free
from the Divx website. You can buy the DivX encoder (to do
the compression) for about $20, or you can get it for free
bundled into various video editing software and hardware
packages like Ulead VideoStudio, Roxie VideoWave, muvee
autoProducer, Magix MovieMaker Deluxe, WinDVD Creator 2
Platinum, etc.
However, if you are serious
about web video, it might make sense to get a more advanced
product like Discreet XL for Windows, Discreet cleaner 6 for
Mac, or Canopus ProCoder. Not only do these support all
popular streaming and video compression technologies, you
can do batch processing and fine-tune your output videos to
get just the right look and file size.
“Compressing for the web has
become like a buffet of options & choices”, says Peter John
Ross. “The big three remain REAL PLAYER, with it's annoying
installation & options that you never want to choose. Next
is Quicktime, which is a great cross platform player between
Mac's (native) and PC's. With Quicktime, the images and
audio are fantastic, but the files sizes are generally
bigger to get that quality. And Windows Media Player with
all it's varying ever changing codecs (short for Compressor/Decompressor)
and multiple formats, can be confusing. However, Most people
surf with Windows, and most people do not care what codec
was used. They want to click and play, and Windows Media
Player is already installed with Windows, so it winds up
being the weapon of choice, statistically. Know your
audience & let that dictate the compression scheme.
Post
After your video is shot,
edited and compressed into one or more files, it is time to
get it out on the web so your friends and relatives can see
it. One option is to simply email it to them – this is not
really video streaming as the video really is never posted
to the web. You are simply sending a compressed video file –
streaming format or not – to them. The most important rule
is to keep it small. Many email accounts will not let you
send and receive a file bigger than 2or 3 megs at a time.
The most common way to
distribute your videos is to simply post it to your personal
or business web site without using any special type of
server equipment or software. Most commercial ISPs support
video and you shouldn’t have a problem.
If you are using a common
web site authoring program like Microsoft FrontPage, you
simply find a spot where you want your visitors to click on
the video to play it. Put up the name of the video, a
graphic or an image icon and then use FrontPage’s Insert
Video command. Another way to do it is to simply upload the
video to your site. I usually create a special directory
called “Hosted Videos”. Then create the title, graphic or
icon and simply create a html link to the video.
Depending on the speed of the
viewer’s internet connection, and what kind of format you
saved your video in, your visitors will be able to either
see the video as a streaming video or as a downloaded file
which they can then play back on their computer. By the way,
it is always a good idea to include instructions on how to
watch or download the videos jus tin case your visitors are
not very techie minded. Another good idea is to include
links to the various free players found on the Microsoft,
Apple, Real and Divx web sites.
The third way to do it is by
submitting your video to a free video hosting site like
SingleReel that specializes in providing free space to video
hobbyists and independents. Another option is to submit your
video to professional and industry-oriented sites like
iMovie, StudentFilms and TriggerStreet.
Another trick to consider,
especially if you are on a tight budget, is to sign up for a
one or more free web site services. Supported by
advertising, these sites usually enable to upload 100 megs
or more of content – perfect for home and personal videos.
Checkout www.freesites.com and
www.thefreesite.com for lists of free sites. You can
also check out one of the many sites that provide web video
hosting at affordable prices.
For example, Xdrive at
www.xdrive.com offers 500 megabytes of storage for just
$9.95 per month and supports a variety of video formats:
MPEGs, Windows Media Player, Real Player, Quicktime, etc.
Once Xdrive members upload their digital videos to the site,
they are stored in a private, secure, and advertising-free
environment. Members' content is password-protected and
available only to those who are invited to view.
Finally – you got to get the
word out. Send out emails to your connections and buddies,
to your friends and relatives and send them the web address
of the page where they can find the video.
See
Free & Cheap Places to Host Your Videos
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