To CCD or to CMOS,
That is the Question
By Kyle Doris
courtesy of B&H Photo VideoI was recently browsing the internet and I came
across a wonderful article by Barry Green,
illustrating some differences between CMOS
and CCD sensors. The article laid out the
differences so well I thought it would be a
great topic to relay to our trusted B&H
newsletter readers. For more extensive
information, please check out his more
comprehensive article
here.
These days, it seems many
prosumer cameras are making the jump from
CCD to CMOS chips. While CMOS chips seem to
be primarily found in consumer products, the
recent release of Sony's
HVR-V1U,
PMW-EX1 and
HVR-Z7U, shows that the adoption of CMOS
technology is entering the professional
market as well, even up to the ultra-high
resolution RED One digital cinema camera. To
be fair, it seems that diversity still
reigns supreme; you'll still find a huge
selection of CCD-based camcorders such as
Canon's XH-A1/G1,
Panasonic's
AG-HVX200, and JVC's
GY-HD250. I'm certain we are going to
see many more cameras developed with both
kinds in the future so it's probably a good
idea to know something about each of them.
Is there a huge difference between the two
technologies? Is one better than the other?
Well let's dive right in shall we!
CMOS (Complementary
Metal–Oxide–Semiconductor)
and CCD (Charge-Coupled
Device) technology were
developed roughly at the same time. By some
accounts, CMOS technology pre-dates the CCD
by six years; (1963 and 1969 respectively.)
Now, I'm not going to go
so far as to say the sensors in the latest
and greatest camcorder resembles these
electronic relics, I'm merely trying to
illustrate that neither technology is
antiquated by any means. CMOS chips have had
quite a few revisions over the years, making
it very appealing, especially when trying to
increase resolution. On the other end of the
spectrum, CCDs have been a mainstay in the
industry for decades. As of 2008, both have
advantages and disadvantages over one
another.
While the sensor isn't
the only thing to consider when purchasing a
new camera, knowing more about what each
technology is capable of can really help to
distinguish the right camera for you. The
most important thing to remember is that
getting the right tool for the job is the
name of the game, especially to us
professionals.
Global Shutter vs. Rolling Shutter
One difference between
CCD and CMOS sensors is the way they capture
each frame. A CCD uses what's called a
"Global Shutter" while CMOS sensors use a
"Rolling Shutter".
Global Shutter means that
the entire frame is captured at the exact
same time. The best way to envision this is
by thinking of the sensor as a slide of
film; when light passes though a slide of
film, it travels through the entire frame at
once. A CCD captures light much like a piece
of film, all at the same time. In 3CCD
camcorders, light is broken up through a
prism. The red, green and blue channels are
all captured separately.
On the other end, rolling
shutter exposes the frame from top to
bottom. Imagine a TV as it writes an image
line-by-line. A CMOS sensor captures light
though capturing each pixel one-by-one. Each
row of pixels (from top to bottom) is
captured in sequential order, creating a
rolling effect, hence the name "Rolling
Shutter".
The difference between
the two in most real-world situations will
be unnoticeable, especially in bright
sunlight or evenly, well-lit rooms. Rolling
Shutter, however, can be tricky in a variety
of applications. For example, shooting under
slow-flickering lights, such as old
fluorescents, can be difficult. The effect
will appear as a dark bar rolling through
your footage. As the CMOS sensors gathers
light pixel-by-pixel, there are changes in
illumination because the light is flickering
on and off.
To the human eye, the
flicker of a fluorescent light is virtually
imperceptible. To the camera however, some
pixels end up getting more light than
others. The on-again/off-again nature of the
flickering light can end up becoming a very
real issue.
Another situation where
rolling shutter can potentially be an issue
is around camera flashes. Large and very
fast changes in illumination can make frames
look split in half, with one-half appearing
very bright and the other half appearing
very dark.
During panning shots, the
two sensors can also act quite differently.
The CCD's global shutter will make things
appear to blur as the operator performs a
swish-pan, much in same way film does.
A CMOS sensor will appear
to stretch or "skew" the image in either
horizontal direction, making straight lines
appear to bend in a diagonal fashion.
Vertical Smear
Vertical smear refers to
a common CCD-related issue that most video
professionals are familiar with. Since the
entire image is being captured at once on a
CCD sensor, shots of bright lights can often
have a vertical haloing effect, causing one
column of pixels to appear brighter than the
rest. The problem looks something like a
lens-flare.
Smearing isn't a problem
with CMOS sensors, since each pixel is
captured separately. Sporting events, for
example, is one instance that could cause a
bit of vertical smearing; if the camera
should for some reason focus on those lights
which illuminate a playing field at night, a
CMOS sensor would have a better time
handling the scenes without problems.
Power Consumption
Power consumption can be
a major factor when considering what
camcorder to purchase. How many hours do you
shoot per day? How much weight will all
those extra batteries be? Or more
importantly, how much does each battery
cost? Traditionally, CMOS sensors use less
power than CCDs, so for shooting
documentaries, having a CMOS camera might
yield significant gains in runtime per
battery.
The Right Tool for the Job
The purpose of these
facts isn't to try to make an argument that
one technology is better than the other. As
you can see, depending on what type of
production you are doing, you might need a
different type of camera. It's good to know
what will happen in the field. At the end of
the day, both sensors can provide
magnificent results and staying educated
will help make sure you get a great image
every time.
Please email feedback on this article, or
suggestions for future topics, to
videofeedback@bhphotovideo.com