The B&H Guide to Camera-Mount Wireless
Microphone Systems
By Sam Mallery
Courtesy B&H Photo Video
When you need a
microphone that enables you and your subject
to move around without being tethered to
wires or power cords, the tool you need is a
battery-powered portable wireless
microphone. Such a system is commonly used
by videographers and by location sound
professionals, or in any situation where the
microphone needs to be wireless and the
system cannot be plugged into an outlet for
power. This article is part one in an
ongoing series on the subject.
Portable wireless systems
are composed of three basic components:
1) The microphone
2) The
transmitter
3) The receiver
In very basic terms, the
microphone attaches to the transmitter, and
the transmitter beams the audio wirelessly
from the microphone to the receiver. The
receiver then plugs into the mic input on a
video camera, or into a mixer, etc.
Microphones
There are different kinds
of wireless microphones used in various
situations. In "run-and-gun" situations
where you may need to interview people
quickly on the street, a
handheld wireless system is the tool of
choice. In the second part of this series,
we'll discuss the benefits of using a
plug-in transmitter system with a
handheld interview microphone.
The tiny microphones that
often get clipped a subject's clothing are
called "lavalier microphones." Lavaliers are
very popular because they are so
inconspicuous. Wireless lavalier microphones
are comprised of an ultra-compact microphone
and clip with a thin wire running from it.
The thin wire ends in a connector jack. The
connector jack plugs into what's called a "bodypack
transmitter." For more information about
lavalier microphones, check out this
Pro Audio Update article.
Transmitters
|
Bodypack
transmitters are often clipped to a
subject's belt, or put into a
pocket. When a lavalier microphone
is being used, the wire from the
lavalier will plug into the bodypack
transmitter, and the mic will be
clipped to the subject's clothing.
In addition to microphones, some
transmitters can also be adjusted to
accept a line level signal from
devices such as mixing boards. |
 |
Helpful Hint!
A wireless system will
perform better if the antenna of the
transmitter isn't totally obscured and
hidden under clothing. These systems tend to
work best when the antenna of the
transmitter and the antenna of the receiver
are within eyeshot of one another. It's also
important to note that different kinds of
transmitters have different kinds of
microphone input jacks on them. If you would
like to try a different
lavalier or
headset microphone with a bodypack
transmitter, we recommend consulting one of
our pro audio experts at











1-800-416-5090
to find a compatible product.
Receivers
Portable wireless
receivers generally have one or two
antennas, and they often come with
accessories that allow you to mount them to
a video camera.
There are essentially two
kinds of wireless receivers: Diversity and
Non-Diversity. Diversity means that the
receiver has switching mechanisms inside of
it that help prevent drop-outs and
interference. A Non-Diversity receiver does
not have these mechanisms.
 |
People are often
surprised to learn that it is
not possible to use more than
one wireless microphone with a
single receiver. This is only
possible when you're using a
portable receiver that is designed
to receive two signals, which are
called
Dual Channel Systems. The
receivers in these systems have two
receivers built into a single
chassis. |
UHF or VHF?
One distinction that
really affects the quality and price of a
wireless system is whether or not it uses
the VHF or the UHF frequency spectrum. This
can get confusing very quickly, namely
because VHF stands for Very High Frequency
and UHF stands for Ultra High Frequency.
What's the difference between Very and
Ultra? Well, Ultra high frequencies are
higher than very high frequencies. The
benefit of higher frequencies is that there
is less congestion. There is less traffic
for your signal to compete with. We always
recommend UHF over VHF. UHF is more
reliable, and reliability is everything.
When you use a VHF system you are sharing
the airwaves with police, fire, and taxi
radio dispatchers, cordless phones, etc. It
can get crowded.
Frequency-Agile or Fixed-Frequency?
We just described how
Diversity and UHF systems help you avoid
interference, but no wireless system is
impervious to it. Wireless systems are
either "frequency-agile" or
"fixed-frequency." Frequency-agile means
that you can change the frequency that the
transmitter and receiver operate on. This is
useful if you're experiencing interference.
With a Frequency-Agile system you change and
match the frequency settings on both the
transmitter and receiver in order to find a
clean channel to use. Some systems have
scanners that can help you locate a clean
channel. Fixed-Frequency systems have only a
single channel, so if you're getting
interference, there is no way to remedy the
situation.
What am I paying for?
The price range for these
wireless microphone systems can vary from
$100 to over $3000 for a single system.
There are many factors that can make one
model more expensive than another: better
audio quality, higher quality components,
Diversity, a strong signal strength. The
main factor that will drive someone to spend
more money on a portable wireless system is
reliability.
Imagine you're a wedding
videographer and your wireless microphone
system experiences static interference or
drop-outs during the exchange of vows in the
ceremony. Chances are you're going to have a
pretty unhappy client. Numerous factors
could lead a portable wireless system to
experience interference: radio or television
broadcasts, cordless devices, even materials
like glass can disrupt your signal. Everyday
the airwaves get more and more crowded with
new handheld gadgets and high-definition
broadcasting. Professionals whose
livelihoods depend on the reliability of
their gear usually opt for a more robust
portable wireless system.
Some of the popular wireless UHF
lavalier systems sold here at B&H
|
Model |
Fixed or Frequency Agile |
Output Options |
Channels |
Included Accessories |
Price |
What
Makes
Me Special |
|
Samson
Airline Series |
Fixed
|
Comes with both
mini-plug and XLR output
cables
|
U1 =801.375
through
U6=804.750
|
Output cables,
clips, fastener mounts
|
$189.95
through
$299.95
w/additional
plug-in transmitter |
• Ultra compact
design
• Lightweight
|
|
Samson
UM1/77 Series |
Fixed
|
Comes XLR output
cable
|
U1 =801.375
through
U6=804.750
|
Output cables,
clips, fastener mounts
|
$249.95
through
$399.95
w/Sony ECM44 microphone
|
Micro diversity
receiver
|
|
Azden
100LT |
Agile63 channels
|
1/8" mini-plug
|
793.750
through
805.875
|
Touch fastener,
1 year warranty
|
$339.95
|
6 – 8 hour
battery life
|
|
Samson
Micro 32 |
Agile32 channels
|
Comes with
XLR cable, has mini-plug
output |
778.125
through
858.850
|
Case,mounting kit,
windscreen,
screwdriver
|
$349.95
through
$459.95
for a
combo kit
|
Inexpensive
frequency agile system
|
|
Sennheiser
100 series |
Agile 1440 channels
|
Come w/both
mini-plug and XLR output
cables
|
A
= 518 -
554 MHz
B = 626 -
662 MHz
C = 740 -
776 MHz
|
Camera shoe mount,
output cables, clips,
batteries
|
$499.99
or
$599.99
w/Additional
plug-in transmitter |
Compact metal
bodyAuto freq Scanner
|
|
Sony
UWPC1 |
Agile 188 channels
|
Comes with both
mini-plug and XLR output
cables
|
62 = 758 -
78266 = 782
- 806
|
Camera shoe mount,
output cables, clips
|
$499.99
|
Upgrade to a higher
quality
microphone
|
|
Azden
Dual Channel |
Agile 63 channels
|
Comes with both
mini-plug and XLR output
cables
|
793.750
through
805.875
|
Camera shoe mount,
output cables, clips
|
$599.95
|
Receive signals from
two transmitters
|
|
Audio-Technica
Dual Channel |
Agile996 channels
|
Come with
XLR output cable
|
655.500
through
680.375
|
Receiver belt pouch,
clips
|
$1295.00
|
Receive signals from
two transmitters
|
|
Lectrosonics
100 Series |
Agile256 channels
|
XLR output cable sold
separately
|
Frequency
block 21 - 28
|
Accessories
not included
|
$1116.90
through
$1499.40
for
plug-in system
|
Hand crafted quality
|
|
Lectrosonics
400 Series |
Agile256 channels
|
XLR output cable
sold separately
|
Frequency
block 21 - 28
|
Accessories
not included
|
$2027.25
through
$3480.00
|
These are
the systems that
professionals rely upon |
|
Let's review what we learned in this
article
Portable wireless systems
can come with three different types of
transmitters:
1) Plug-in transmitters
2) Handheld microphones
with built-in transmitters
3) Bodypack transmitters
for lavalier microphones
There are two kinds of
wireless receivers:
1) Diversity (has
switching mechanisms that help to avoid
drop-outs)
2) Non-Diversity (does
not have these mechanisms)
The difference between
UHF and VHF is:
UHF transmits on higher
frequencies with less radio traffic
VHF is less expensive but
more prone to interference and drop-outs
Wireless systems are
either Frequency-Agile or Fixed-Frequency
Frequency-Agile = you can change the
frequency on the transmitter and the
receiver Fixed-Frequency = the frequency of
the system is fixed and cannot be changed
Thanks for reading this
Pro Audio Update article, the first in a
series of articles on the topic of
Camera-Mountable Wireless Microphone
Systems.
In
the second part of this series we will
discuss the virtues of plug-in transmitters
and go over options for mounting single and
multiple receivers to a video camera.
How to Capture
and Produce Great Sound for Video
How to
fine tune and use your wireless microphone
system so that you can get the best possible
audio when you are shooting video